Showing posts with label Reperatory. Show all posts
Showing posts with label Reperatory. Show all posts

Saturday, 13 February 2010

arthurlloyd.co.uk a wonderful site on Theatre and Music Hall


arthurlloyd.co.uk is a website that I have been using more frequently in recent months as I have been researching various venues across the nation. It is a wonderful website full of magnificent information with over 2000 pages of information and 5000 images of Music Halls and Theatres from years past. Created by a descendant of Arthur Lloyd, a Music Hall Entertainer who wrote songs such as 'Married to a Mermaid', this site is part biographical evidence of Arthur Lloyds life and career and part information of theatres and music halls from all around the country. It is a fantastic resource with plenty of information to keep you glued to the site for hours on end. This is the type of rare resource that helps us all keep in touch with our theatrical heritage and remind us of the unfortuanate losses the theatre world has had in the past 50s as well as chronicling of its glorious past. I would highly reccomend anyone this site and its helpful forum.

So please go to:


and enjoy!

Sunday, 31 January 2010

Worthing Theatres Open Day 31/01/2010: The Head Theatre Review

Worthing Theatres Open Day

Today Worthing Theatres opened the doors to its three very different venues to the general public for free and I have to say it was a great success. Unluckily being a fool I did forget to fully charge our digital camera so we only got shots of the Connaught really, but the pics we took were mostly interesting and I will post them in the blog. So here is my review of the day.

Doors were supposed to open at 12 Noon and there was a nice group of us in the Connaughts Lobby by 11:45 and plenty of staff who were happy to chat to you and answer questions. At Midday we entered the main Auditorium of the Connaught Theatre, now I haven't been in there since they showed 'This is It' last year and was very impressed with the new seats, and also the wonderful work done on the previously tatty boxes. The stage was free of set and sound equipment generally, apart from the equipment for the lecture that would later take place, so we could walk up there and look around.

The Connaughts Stage



Me looking uncomfortable on the stage!

From the stage Abby and I were allowed to explore the theatre pretty much to our hearts content, the only place that seemed off limits was the fly floor although thats probably a good thing health and safety wise. After being on the stage we moved down into the ground floors dressing rooms. On our exit we noticed a much loved sign.

 

Little things like this kept catching our eyes as we walked around the theatre, after seeing the ground floor dressing rooms we were allowed below the stage where Worthing Theatres Manager Peter Bailey was giving a little Q&A. Down there is where they store the majority of their lamps and effects machines.


Lights stored under the stage.

We also noticed a couple of trap door mechanisms and got to ask a few questions about the way shows are put into the theatre. All questions were answered and the staff were very helpful. After being under the stage it was up to the second level and into the other dressing rooms. This too was very interesting each one had obviously been modernised over time but still had their links to the past with various photos in frames of past stars and productions.



We were making our way out when we realised that we were by the staircase that must be the one reported in the last couple of incidents regarding the Connaughts infamous 'Grey Lady'.


Sadly no sight of the Grey Lady.

We took some more photos and then decided to retire to the auditorium once more where we went into one of the boxes and enjoyed one of the technicians lectures on lighting/sound and film within the Connaught and Ritz. Of course it was very interesting and well presented with the only snag being that the sound wasn't working for his demonstration. It was a very eye opening talk which revealed many things about the theatre including the fact that they are going to, hopefully, be installing 3D into the Connaught at some point in the next year and they are just choosing the format. A good sign that Connaught is trying to be more competitive as a cinema and continue its excellent service to our community. Then before we left for the Pavillion we checked out the theatres bar, I wish I had taken some photos as there are some real period features in there.


The Lecture

The Pavillion Theatre Worthing is a beautiful venue capable of seating over 900 audience members and is generally used for Stand Up Comedy, Musicals and Concerts nowadays. Originally built as a concert hall it has changed over the years and forms part of Worthings Award Winning Peir complex. I only took one photo of the Pavillion before our camera went to sleep for the day, I won't make that mistake again, it is of the classic ceiling and chandeliers of the building.



The Pavillion tour was very short, there was no chance of going under the stage but we did get to see all the backstage and dressing rooms including a very grand dressing room for the stars. Where the kids who perform during Panto at the Pavillion are kept who knows for there is remarkably little space back there.

We went up to the control room where a young technician was speaking about how the sound board and lighting system worked. The rig at the Pavillion is bigger than that at the Connaught so there was a lot more to see.

After leaving the Pavillion we headed to the Assembly Hall where we often go to watch Premier Promotions and were delighted to see the Wurlitzer Organ out on display and being played. Unfortuanately no camera meant no pics but I did look up their website and found some excellent picture.



In the Assembly Halls again we looked at the backstage area of dressing rooms and equipment lock ups, we also looked under the stage and then at the control room where children were getting the chance to experience a lighting board. We then sat and watched about 20 minutes of the Wurlitzer being played which was very enjoyable, I have never really thought about going to see an Organ concert but it was lovely music and I would love to see it again.

All in all a great day out seeing a lot of the inner workings of Worthing Theatres. Of course I have almost an obsession with the Connaught and so I found that one the most interesting of the three. However I must commend the entire staff at Worthing Theatres for their hospitality and help. I found them all very nice and chatty with an obvious love for their jobs, something which is really a credit to the organisation. The only negative I can give on the day, one which is not all the fault of Worthing Theatres, is the lack of attendance. We saw many older people, at one point in the Connaught we were the youngest people there! However as the day wore on we saw more children and young adults attending, I blame this on the lack of advertising. I did not see any advert on the Worthing Theatres Website, or read about it in the local main papers such as the Argus or the Herald. I heard about it through one of my partners Colleagues who also works for Worthing Theatres. The only media advert I believe was released was an article within the free weekend paper 'The Weekend Guardian' which isn't available everywhere in Worthing, this is just poor advertising which made it harder work for Worthing Theatres to get as many people through the doors as possible so they could sell tickets.

I hope today spiked ticket sales for Worthing Theatres but most of all I want to say thank you to them all for giving us nearly 100% access of some wonderful venues. I only wish I had an interview with Peter Bailey the Theatre Manager to go along with this review, however he has so far ignored my emails. I will try and still get it as there were questions I wanted to ask but didn't get the chance.

So Thank You Worthing Theatres and good luck with this coming season...

For more info check out



Tuesday, 5 January 2010

Not another Article about the Death of Regional Theatre + The Injustice of the Redgrave Theatre Farnham

Every single year it seems without fail there is an outcry from some corner of the theatre industry here in the UK regarding the failure of the Regional Theatres. Now am I really hearing this? Surely the truth is that the theatre industry is currently booming artistically and with the good box office receipts for shows such as Legally Blonde that the commercial side is doing well too. Of course Legally Blonde is a west end show but when there are regional tours of The 39 Steps, a west end favourite, coming this year then surely something right is happening. I can honestly say that in my area our local theatre has its best line up for the Spring Season in years, we have 10 quality plays between February and June visiting all vying for my money and all contain stars such as Kelly McGillis, Leslie Grantham, Gary Wilmot, Kate O’Mara, Damien Williams and Lee Mead. Also there are many respected theatre companies putting on productions, companies such as The Agatha Christie Theatre Company, Ian Dickens Productions, Kenwright Productions, Middle Ground Theatre Company and Black Eyed Theatre who were hailed as one of the most exciting companies currently in the UK by the Stage. Add in that there are several high quality amateur productions also being staged in the local theatres and there is enough to keep even the most ravenous theatre addict happy. Of course I understand that what is true in Worthing may not be true elsewhere but when I read about situations like that of the Redgrave Theatre Farnham I sometimes think that a lot of other places troubles are nothing but tragedies of their own design. Farnham in Waverly has a thriving Rep Company but no permanent home for said company. The Redgrave Theatre built for the original Farnham Rep is currently dark having been shut down by the local council in 1999 due to one disastrous season which saw revenues fall. The current company is doing great business but because the council has already sold the theatre off for development they are relegated to a tent by the side of the current theatre. I believe the saddest part of this tale is that the Redgrave is not an old theatre it was built in 1974 and is in perfect working order. So in Farnham we have a healthy market for decent theatre, we have a venue that is in mint condition but also a council that is disregarding this possible boon to their local economy. It’s just a crying shame that Waverly council cannot support the local Theatre Company by giving them another chance, instead they have sold it off and it will be demolished next year to make way for a new housing development. For more information regarding the Redgrave Theatre and the campaign to save it please go to this website http://www.farnhamtheatre.co.uk/RedgraveTheatre.html




The redevelopment of theatres on a regional scale still happens frequently; recently the Marlowe Theatre in Canterbury was demolished to make way for a brand new venue under the same name. This will be the third rebuild for the Canterbury venue and surprisingly enough the City council decided that the price of renovating the old venue, whilst cheaper than a new build, would be just throwing money away as it would need more attention in the future and be unable to house the West End quality shows expected of such a prolific theatre.



Then there are the box office receipts for companies such as Birmingham Rep which despite the fact we keep getting it drummed into us every single year that Reperatory Theatre is dead still boasts full houses and true artistic creativity. Their work and that of many Northern Theatre Companies tour extensively throughout the country and many end up on the West End, so if companies such as Birmingham Rep and West Yorkshire Playhouse are creating new work that feeds the stages of the nations capital I would argue that the regional industry is far from dead and in fact we are on the brink of a new era of local theatrical excellence.



The other aspect that these journalists, who report the death of regional theatre every single year without fail, seem to conveniently choose to ignore is the vast amount of experimental theatre companies, dance companies and fringe theatres dotted around the country. In Brighton alone there is a large enough amount of alternative spaces for them to have their own Theatre Festival to rival, like an annoying little brother screaming at an older bigger brother, Edinburgh’s summer festival. There are hundreds of theatre schools around the country feeding the main drama schools in London with performers who are more often than not being trained not just in the tools of the trade to make you a great actor/dancer/singer but also being given the chance to create their own work and develop their own plays, shows and revues. Those that herald regional theatre as dead are just mourning the fact that the industry they knew is dead and gone; instead it has evolved into a more inclusive multi format, arts propelled industry which has more to do now with the cultural identity of the UK than any other time in history. Those of us who may mourn the death of a local rep company should really stop moping and look at what is being offered in our local area before writing it off and just spending that money for theatrical entertainment in London.

Thursday, 19 November 2009

Part 2 of Pantomime Documentary

Part 2 of my Pantomime documentary in bitesized episodes. This week focuses on Commedia Dell'Arte and its influences on Pantomime.

http://headtheatre.mypodcast.com/2009/11/Panto_Part_2-259019.html

Enjoy!

Tuesday, 17 November 2009

Brand New Docu: Part 1 Pantomime

Part 1 of the bitesize episodes of my new Panto docu.

http://headtheatre.mypodcast.com/2009/11/Pantomime_Part1-258262.html

Enjoy!