Showing posts with label Blog. Show all posts
Showing posts with label Blog. Show all posts

Thursday, 2 August 2012

Back from Hiatus and Olympics Opening Ceremony

And I'm back!


Hello to all my readers out there! I just wanted to say that I am back from my hiatus. I know this blog has gone dark in the past for months on end but this past month and a half has just been a break for a couple of big life moments. LibraryGirl and I got married in the middle of July and just got back from honeymoon which has delayed any posting. So henceforth LibraryGirl will be referred to as MrsHeadTheatre or MrsHT. Apart from my happy nuptials in the past month I got to see 'Sweeney Todd' on the West End stage starring Michael Ball and Imelda Staunton it was...


'What happened then, well thats the play, And he wouldn't want us to give it away. Not Sweeney, Not Sweeney Todd. The Demon Barber of Fleet Street!'


So expect a review to make its appearance on this blog very soon.

Anyone who hasn't been living under a rock for the past year would know that currently London is holding the Olympic Games. Sport is a different type of drama that is for certain but the theatricality of the United Kingdom shone through with the opening ceremony. There were many claims before the production even aired that it had no chance of matching China's efforts back in Beijing mainly based on the fact that most people hated the British involvement in the 2008 Olympics closing ceremony. The general consensus was that the bus which opened to reveal musicians and dancers... etc was eccentric and strange. Well last Friday night we showed that yes the UK is full of eccentric artists who can do wonders with choreography, music and lighting. Danny Boyle's production unfolded like a beautiful dream which all, in this writers opinion, revolved around the central theme of the Shakespearian qoute:

Be not afeard; the isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices,
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me; that, when I waked,
I cried to dream again


Of course the fact that it involved Sir Branagh, a personal hero of mine, and contained some of my favourite music tracks kept me pleased. However Boyle showed himself to be a master of imagery when he seared into every viewers memories the sight of 5 interlinking Olympic rings hammered from hot steel. That and the sight of James Bond with HRH Queen Elizabeth the II are probably the two things people will remember from this games opening ceremony but I think a lot should be said for the NHS staff who danced so enthusiastically during their segment and who just gave their all... plus the drummers in the Industrial section who carried on drumming all night it seemed. The technicians on this show proved why the UK still produces the best musicals in the World and has the best film crews. All in all a wonderful production which I hope gets released on bluray so I can have a copy of it.

So I shall be back to provide a review for Sweeney Todd, I'm not sure if it will be a vlog or just a written blog but you can be sure to find it here along with all my theatrical musings in the coming weeks and months as I head for 10,000 page views.

Friday, 18 February 2011

RTDA an update and explanation

So about two weeks ago LibraryGirl's laptop finally gave up the ghost, may it rest in peace, so I have been unable to update this blog and have now resorted to writing it on my Kindle. It is a bit difficult but I have been itching to post for over a week so it was this or nothing and nothing was not an option! 


So onto the RTDA and the great tome 'Approach to Theatre'. When I last left you I said I had read King Lear and let you know how I got on, well I got on . . . well. I found Lear to be a riveting tale that has a lot of potential as a farce if it wasn't so tragic. To start I have to admit I really didn't like Lear himself who acts more like a pectulant child than the King of England. He bases the division of his Kingdom on a daughters single refusal to showboat her love for him. The denouncing and demonisation of this daughter is a shocking scene akin to a public flogging. After all this when his other daughter's started mistreating him I just didn't care. He was a contemptible character and there was no tragedy for me by the end and SPOILER ALERT!!!




When his daughter he denounced at the beginning dies with him at the end I just felt like Lear got his comeuppence. In the main plotline there was no sympathy for Lear, his actions and his selfishness were his downfall and no amount of moaning was going to make him sympathetic. The illegitimate son and love triangle plotline involving Edgar and the two daughters Lear favours seems like a staple of ribald comedy that became popular in the regency period, and is still very popular today, that would be very funny if it wasn't for the underlying themes of patricide and regecide. There is my biggest problem with Lear, it is just doom and gloom throughout. King Lear does not have the morality difficulties that plagues Macbeth and it doesn't put you on the edge of your seat like Othello where you are watching and willing someone to stop that vile villain Iago. Lear is a flat play that depressed me and had no payoff at the end, I don't need a happy ending and Romeo and Juliet which had a similar ending, sorry more spoilers, at least left us with hope that the war between the families was over. Lear gives you nothing inspirational or good just bleakness.


Staging Lear at least seems cheap and simple. The settings are basically great halls and the great outdoors. A throne is pretty much all the scenery you will need so it really is a simple production and that is how I would do it. I would minimise the amount of set but have a huge throne to dwarf Lear to show how small a man he truly is. My direction for the piece would not be sympathetic to Lear I would side with the daughters initially but after act two I am not sure what I as a director could do but present the action as it comes. This play comes down to each individual audience member making their own mind up about Lear. I think to a point the daughters have a point in their quarrel with Lear but murder is never the answer. So does he deserve to die? I think a more appropriate question is how would I tackle this piece? I gave my initial ideas but I keep pondering about it, i've been pondering for four weeks, and maybe that is this play's redeeming feature for me.

Saturday, 20 February 2010

Eastenders LIVE: The Murderer of Archie Mitchell is Revealed A REVIEW




As everyone living in the UK knows Archie Mitchell, who died on Christmas Day in the Queen Vic, was a cad who deserved everything that happened to him. He finally got his comeuppence and that led to two months of speculation as to who killed him. Early indication was that it was his daughter Ronnie, whose child he hid from her and who was sexually assualted by her father as a child, who in true Lady Macbeth style went slightly mad over the past two months. Other suspects included Phil Mitchell, Ian Beale, Peggy Mitchell, Jack Branning and Bradley Branning. However as with all great Soap storylines, things are never so simple and last night things got very complicated as for the first time ever Eastenders had a live broadcast.

Now a live Television broadcast of a drama is huge news, and a huge ask nowadays. Its been nearly 50 years since live tv performance was the rule instead of the exception and so there was a huge chance that things could go drastically wrong.

As LibraryGirl and myself sat down to watch this new experience we already felt really tense. As a performer myself I can appreciate the nerves these guys must have been feeling at going live, then factor in the fact that this is the blowoff to one of the biggest storylines ever to grace the square and then the idea that there could be nearly 12 million viewers watching you and waiting for you to screw up. I would say that under that pressure I would be really feeling anxious. LibraryGirl was geared up for the story and wanted to see how good the actors were in a live setting.

As we started watching we were incredibly surprised at the seemingly breakneck speed that everything seemed to be going and then we saw our first mistake. Scott Maslen the heart throb Jack Branning had what he later described as a 'Matrix Moment' as he fluffed his lines and had that thing all actors dread where their brain goes 'where am I in the script... um whats the next line' but it sort of helped build my suspicions that Jack was the murderer. Did Maslen screw up the show? No not at all because he carried on and the acting by Charlie Clements who plays Bradley, Jake Wood as Max and Lacey Turner as Stacey kept that scene going along and the quick angle change on Stacey's face helped build the tension up.

We then moved onto other suspects as Bradley and Stacey started their doomed escape. Janine Butcher, played by Charlie Brooks, was still rushing around trying to make sure she didn't get arrested again and looking for the person who planted the missing engagement ring in her flat. Brooks was brilliant as Janine, it looked as if her parts had been pre taped in that she herself was flawless, her character came through perfectly and she didn't fluff any lines, her only problem was she tripped over her step on the way into her doorway. This was not a big deal, after all it just added to the frantic panic the character was feeling.

Other performers who fluffed up included Barbara Windsor who ran a couple of words together, a very easy thing to do when you only have a very short amount of time to shoot and its one take, she didn't react to it she just kept on going in her scene with Charlie Brooks. Samantha Womack apparently entered the corner shop in Albert Square to get paint thinner, picked it up and during her argument with Rita Simons who plays her sister Roxi left without paying for it, despite walking straight past the shop staff. There were a few snafus with the camera angles including under the arches between Stacey and Bradley. However the Sun Newspaper decided that the one they should mention in their coverage of the live show was that Jake Wood, who is brilliant as Max, was seen putting his fingers down his throat to make himself retch. Now I have to call the Sun on that one mainly due to the fact that it is barely noticeable because when it happens Jake makes the sound of retching and covers his mouth in a way that his fingers went in his mouth, he just wanted it to be more realistic and its not his fault that the camera caught him. Plus I am pretty sure not more than 2 seconds later, as people are leaving the Queen Vic there is a crew member in shot who looks round then touches what looks to be headphones, hidden under a hat of course, before we carry on with the show. Not to mention the awful pause before the stuntman leapt off of the Pub. It just seemed unfair to me for them to criticise Jake Wood.

Now onto what I thought of the episode. The show was fantastic it just was a tense laden show with some phenomenal acting. As such I am going to declare my top 5 MVPs (Most valuable Performers) from last nights live episode.

5. Steve McFadden
Phils story was he was paranoid his girlfriend, Shirley, was going to rat him out and that Ian had evidence that could be used to frame him for Archies Murder. This led to him tracking down Ian and attacking him and trashing his home looking for what he thought Ian had. McFadden much like Brooks was brilliant in that he was totally natural when it came to being angry Phil, thats what you get for really knowing your character.

4. Adam Woodyatt
Ian had gone home with Dot to talk to her about how she felt and he ended up showing her the video tape of all the then young cast members from 25 years ago. Then as mentioned above Phil came thundering in and Woodyatt is brilliant at being a snivelling coward. His work was great to watch as he and McFadden got physical but it was obviously well rehearsed and these two actors have great chemistry as enemies. You could also tell that he was having fun with it, not in a distracting way but you could just tell.

3. Charlie Brooks
Janine as I said before was rushing around trying to find out who framed her. She was just Miss One Take all night and was brilliant at her character work. This storyline has, whilst making us want to all give Janine a slap for being so evil, in many ways shone a slightly sympathetic light on the Janine Butcher character something that perhaps she needed to keep her fresh.

2. Lacey Turner
This was a really hard choice as it is very close between her and Charlie Clements as to who was better but for me she comes second. Stacey Branning was trying to escape the square with her husband Bradley thanks to the betrayal of her best friend Becca. She ran around and revealed all to Bradley who tried to help her get away but in the end she admitted all to Max... she killed Archie. A really strong performance and Lacey Turner has shown herself to be a very powerful young actress who I hope when she leaves Eastenders, eventually, gets some good dramatic roles.

1. Charlie Clements
Yes Bradley passed away last night trying to escape the Police. When he fell from the top of the Queen Vic there couldn't have been many dry eyes in the millions of homes tuned in to the show. Clements work really helped this storyline move along, his slow disintegration since his return was a truly beautiful piece of acting and his abililty to just pick that up last night and truly put the ending to his story with a great piece of performance was great. The last line he uttered was perfectly pitched and a wonderful note to go out on. The show will sadly miss the gravitas and cheekiness the the Bradley character and Charlie Clements brings to it.

So what was having a live soap like? It was excellent, the excitement of the story was amped up to 11 just because of the unpredictable nature of the performance. Would I do it again? Yes I would, but with some modifications. The main modification I would make is to have it only involve a couple of characters and perhaps 2 or 3 sets. It was wonderful seeing the crew and cast pull off this mammoth task with such great results but there was a feeling of chaos at times. Lets take June Browns solo episode, now that could have easily been shown live and as long as the storyline is strong enough viewers will still tune in. Make it a 1 or 2 room show and then do a live, it will be cheaper and easier to pull off. Also there are certain things that need to be edited for future broadcast, I know we will see clips of Bradleys death and the ending of this episode for years to come but they need to do an edit to make it flow better from the last Bradley line to his fall. I would call this a success and think its a brilliant experience for the actors and is something they should be given the chance to do. Eastenders has done a great job in the lead up to this episode and I hope the fallout is just as good.

Live Eastenders was a truly brilliant event that showed that Soap actors aren't just pretty faces for TV and that a lot of them can do the job when needed. Catch it on Catch up if you haven't seen it or look at it on iPlayer because it is well worth the watch.

Now if only more TV shows had this dangerous event like feel.

Xtofer

Sunday, 31 January 2010

Worthing Theatres Open Day 31/01/2010: The Head Theatre Review

Worthing Theatres Open Day

Today Worthing Theatres opened the doors to its three very different venues to the general public for free and I have to say it was a great success. Unluckily being a fool I did forget to fully charge our digital camera so we only got shots of the Connaught really, but the pics we took were mostly interesting and I will post them in the blog. So here is my review of the day.

Doors were supposed to open at 12 Noon and there was a nice group of us in the Connaughts Lobby by 11:45 and plenty of staff who were happy to chat to you and answer questions. At Midday we entered the main Auditorium of the Connaught Theatre, now I haven't been in there since they showed 'This is It' last year and was very impressed with the new seats, and also the wonderful work done on the previously tatty boxes. The stage was free of set and sound equipment generally, apart from the equipment for the lecture that would later take place, so we could walk up there and look around.

The Connaughts Stage



Me looking uncomfortable on the stage!

From the stage Abby and I were allowed to explore the theatre pretty much to our hearts content, the only place that seemed off limits was the fly floor although thats probably a good thing health and safety wise. After being on the stage we moved down into the ground floors dressing rooms. On our exit we noticed a much loved sign.

 

Little things like this kept catching our eyes as we walked around the theatre, after seeing the ground floor dressing rooms we were allowed below the stage where Worthing Theatres Manager Peter Bailey was giving a little Q&A. Down there is where they store the majority of their lamps and effects machines.


Lights stored under the stage.

We also noticed a couple of trap door mechanisms and got to ask a few questions about the way shows are put into the theatre. All questions were answered and the staff were very helpful. After being under the stage it was up to the second level and into the other dressing rooms. This too was very interesting each one had obviously been modernised over time but still had their links to the past with various photos in frames of past stars and productions.



We were making our way out when we realised that we were by the staircase that must be the one reported in the last couple of incidents regarding the Connaughts infamous 'Grey Lady'.


Sadly no sight of the Grey Lady.

We took some more photos and then decided to retire to the auditorium once more where we went into one of the boxes and enjoyed one of the technicians lectures on lighting/sound and film within the Connaught and Ritz. Of course it was very interesting and well presented with the only snag being that the sound wasn't working for his demonstration. It was a very eye opening talk which revealed many things about the theatre including the fact that they are going to, hopefully, be installing 3D into the Connaught at some point in the next year and they are just choosing the format. A good sign that Connaught is trying to be more competitive as a cinema and continue its excellent service to our community. Then before we left for the Pavillion we checked out the theatres bar, I wish I had taken some photos as there are some real period features in there.


The Lecture

The Pavillion Theatre Worthing is a beautiful venue capable of seating over 900 audience members and is generally used for Stand Up Comedy, Musicals and Concerts nowadays. Originally built as a concert hall it has changed over the years and forms part of Worthings Award Winning Peir complex. I only took one photo of the Pavillion before our camera went to sleep for the day, I won't make that mistake again, it is of the classic ceiling and chandeliers of the building.



The Pavillion tour was very short, there was no chance of going under the stage but we did get to see all the backstage and dressing rooms including a very grand dressing room for the stars. Where the kids who perform during Panto at the Pavillion are kept who knows for there is remarkably little space back there.

We went up to the control room where a young technician was speaking about how the sound board and lighting system worked. The rig at the Pavillion is bigger than that at the Connaught so there was a lot more to see.

After leaving the Pavillion we headed to the Assembly Hall where we often go to watch Premier Promotions and were delighted to see the Wurlitzer Organ out on display and being played. Unfortuanately no camera meant no pics but I did look up their website and found some excellent picture.



In the Assembly Halls again we looked at the backstage area of dressing rooms and equipment lock ups, we also looked under the stage and then at the control room where children were getting the chance to experience a lighting board. We then sat and watched about 20 minutes of the Wurlitzer being played which was very enjoyable, I have never really thought about going to see an Organ concert but it was lovely music and I would love to see it again.

All in all a great day out seeing a lot of the inner workings of Worthing Theatres. Of course I have almost an obsession with the Connaught and so I found that one the most interesting of the three. However I must commend the entire staff at Worthing Theatres for their hospitality and help. I found them all very nice and chatty with an obvious love for their jobs, something which is really a credit to the organisation. The only negative I can give on the day, one which is not all the fault of Worthing Theatres, is the lack of attendance. We saw many older people, at one point in the Connaught we were the youngest people there! However as the day wore on we saw more children and young adults attending, I blame this on the lack of advertising. I did not see any advert on the Worthing Theatres Website, or read about it in the local main papers such as the Argus or the Herald. I heard about it through one of my partners Colleagues who also works for Worthing Theatres. The only media advert I believe was released was an article within the free weekend paper 'The Weekend Guardian' which isn't available everywhere in Worthing, this is just poor advertising which made it harder work for Worthing Theatres to get as many people through the doors as possible so they could sell tickets.

I hope today spiked ticket sales for Worthing Theatres but most of all I want to say thank you to them all for giving us nearly 100% access of some wonderful venues. I only wish I had an interview with Peter Bailey the Theatre Manager to go along with this review, however he has so far ignored my emails. I will try and still get it as there were questions I wanted to ask but didn't get the chance.

So Thank You Worthing Theatres and good luck with this coming season...

For more info check out



Tuesday, 17 November 2009

Brand New Docu: Part 1 Pantomime

Part 1 of the bitesize episodes of my new Panto docu.

http://headtheatre.mypodcast.com/2009/11/Pantomime_Part1-258262.html

Enjoy!