Showing posts with label FPTheatre. Show all posts
Showing posts with label FPTheatre. Show all posts

Wednesday, 1 February 2012

February the 1st in Theatrical History

(John Philip Kemble and Sarah Siddons in Macbeth as painted by Thomas Beach)


On the first of February 1757 John Philip Kemble was born. The son of Roger Kemble (b 1721 d 1802) and Sarah Ward (b 1735 d 1807) he was part of the theatrical dynasty the Kemble Family. John Kemble had several siblings being one of twelve children, out of whom 5 others became actors including the most famous female actor of the age Sarah Siddons. The family has its beginnings in the famous 'Ward Company of Comedians' run by John's grandfather John Ward and the union of Roger Kemble to John Ward's daughter Sarah solidified the legacy of the Kemble family. John Philip Kemble learnt his trade touring with his grandfathers company and ended up having great success on the London scene after debuting at Drury Lane in Hamlet. In 1803 Kemble left Drury Lane and joined George Frederick Cooke at the Covent Garden company with his sister Mrs Siddons joining him soon after. Tragedy struck five years later when Covent Garden was destroyed by a fire. Both Mrs Siddons and Kemble lost their vast wardrobes to the fire and chose to build a new theatre designed by the architect Robert Smirke, his most recognisable work is the facade of the British Museum, costing one hundred and fifty thousand pounds in 1809 which is the equivalent of nine million pounds today. This of course led to increases in the price of attendance which brought about the darkest part of Kemble's career when on opening night of the new theatre at Covent Garden the audience cried out for the old prices and continued until the police and military had to be called. For two months riots and disruptions continued under his regime at Covent Garden until he finally agreed to reduce prices to the old rates. Kemble would retire in 1817 leaving his share in Covent Garden to his brother Charles but by now the shine on the Kemble family had long been overshadowed by a new star Edmund Kean.


Ulysses is produced at Her Majesty's theatre in 1902. This play is a poetry play based on the ancient Greek tale and was written by Stephen Phillips. It was produced by the theatre company of Beerbohm-Tree and is speculated to have been part of the inspiration for James Joyce's later novel of the same name.


Tuesday, 25 May 2010

The Importance of Lighting: An FPTheatre handout

Lighting is a huge part of the Theatre nowadays, after all one cannot help but enjoy the spotlight, and  it figures heavily in the design and feel of a piece. Here are some examples of the lights that make us shine.
 
The most common lights you will find a company using are Parcan's. Your basic Parcan light is named as such because it resembles a tin can with a bulb in it. These lights produce very flat light but when linked with haze or smoke machines can create very interesting effects. However these lights are durable, easily set up, moveable and provide excellent stage washes and basic lighting.

The Cycl/Strip light is generally used in the professional theatre to light the Cyclorama curtain at the back of the stage. However you can also use it to flood the stage with light and colour, you will find a lot of DIY theatre enthusiasts using the Cyc for this very purpose. Easy to use, set up and maintain the lights like Parcans is the bread and butter of lighting.

Scoop Lights are smaller generally than the cyc yet are used mainly for the same reason, to flood the stage with light or to light up the backdrop.

The fresnel lamp is a fantastic tool, great for washes of light on stage and for side lighting. These are probably the most frequently used lamps in the professional theatre. These lights are fantastic and can be used for all sorts of effects when used in conjunction with gobo's and gels.

Of course there are also more specialist lights such as the spotlight and moving and tracking lights nowadays. However the tracking and moving lights are something that is gradually being phased in. If you hire venues with a pre existing lighting grid it is generally a lot simpler than owning your own because you may have staff there able to help you. The company we are involved in tours and we borrow a very small lighting rig from a local school for a donation towards the school. We find this to be a cost effective way of using lighting and also an opportunity to promote our show within the school and staff there.

Those who are lucky and own their own lighting equipment will know one of the most essential parts of the kit is a good lighting board, these can range from basic boards with sliders only to ones that can be programmed to brightness and to instantly do a lighting effect at a touch of a button. Obviously the high end of the market costs a lot but if you run regular big shows it is worth the investment.

This only the very basic information on lighting for the theatre. It is an artform even of itself and adds a lot to any theatrical experience. There are numerous books on the subject of lighting in the theatre but two of the best I have found, which I know several of my techie friends have used or refer to regularly, are:

Lighting and Sound by Neil Fraser, printed by Phaidon it is a very good technical book that looks more at lighting than sound but still gives some great information, which is true of most Phaidon theatre books.

Stage Lighting Design: The Art, The Craft, The Life. This is a textbook that contains numerous lighting plans, photos, tips and information needed to truly understand Theatrical lighting including an entire section focused solely on the history of Lighting. Written by the man who designed the New National Theatre's lighting system, Richard Pilbrow, this is truly a great resource.

Wednesday, 9 December 2009

Original Scripts from FPTheatre Productions

FPTheatre Productions is proud to announce its publication of its scripts online at

http://fptheatreproductions.blogspot.com

In the coming months different scripts will be posted on the blog to view for free.

Anyone who wishes to use the scripts can enquire about the rights by contacting Xtofer at chrisandrewpilgrim@yahoo.co.uk

Thursday, 19 November 2009

Part 2 of Pantomime Documentary

Part 2 of my Pantomime documentary in bitesized episodes. This week focuses on Commedia Dell'Arte and its influences on Pantomime.

http://headtheatre.mypodcast.com/2009/11/Panto_Part_2-259019.html

Enjoy!